Key Concept: Participation

Throughout the lesson, we learnt about some artists who use participation as part of their artwork.

 

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Andy Warhol, Do It Yourself- Flowers, 1962

Andy Warhol, Do It Yourself- Flowers, suggests that it is inviting people to finish off the piece of artwork.

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Yoko Ono, Cut Piece, 1965

Yoko Ono, Cut Piece, 1965 invited people to cut parts of her dress off, she instructed the public which created the artwork.

Lygia Clark created a series of sculptures called Bichos, 1965, and invited the public to come and change the shape of the sculpture.

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Marina Abramovic, The Artist is Present, 2010

Marina Abramovic sat and gazed at public who came and sat in the chair opposite. She had rules of not being able to talk or touch the person opposite.

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Janet Cardiff and George Bures Miller, The City of Forking Paths, 2014

The City of Forking Paths, 2014, instructs the person who is participating to listen and follow the instructions with earphones and watch the video to see the city through a video and in real life. It  allows the person involved to see the city through different eyes swell as their own.

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London Visit (October 4th)

I choose an artwork for the brief over the next year, myself and a few friends decided to go to London.  We visited: The Saatchi Gallery, Tate Modern, The White Cube and The National Gallery.

A few pieces interested me but I have 3 in mind that I will explore and research to find out if they are suitable for the brief.

One artwork I was drawn to was Josh Faught’s, Untitled (I), from BE BOLD For What You Stand For, BE CAREFUL For What You Fall For, 2013. The colours and the scale really brought me in, also the items that had been sewn into the tapestry where very random. At the time I did not know the meaning. The work is aimed at the ‘queer community’. I enjoy making work to make other people aware of subjects, so this could be a possible artwork. 

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Josh Faught, Untitled (I), from BE BOLD For What You Stand For, BE CAREFUL For What You Fall For
2013

 

I’m also interested in Maria Bartuszová’s piece, ‘Untitled’, 1973. The artwork is made from plaster and carries both with maternal and erotic associations. The work suggests a body rather than represent one. The human body has always been a fascination to me and I feel this piece could simulate my work throughout year 2.

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Maria Bartuszová, Untitled, 1973

At Tate Modern I saw a voice and sculpture/ installation piece by Otobong Nkanga. The installation reflects on contemporary anxieties and suggests how people gather in a crowd. The ropes suggest the networks in today’s society. The concrete balls can also weigh up to 600 kg, so it also implies the impossibility of moving forward alone. The idea behind the work was what appealed to me, I think it is an intriguing way to display a crowd and the anxiety that comes with it for some people. IMG_2027

Now I have to narrow my decisions down to one artwork.

Key Concept Lecture: Studio

During this lecture, we explored artists’ studios, such as Jasper Johns studio space and Francis Bacon’s studio.

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Francis Bacon’s studio

Sean Edwards also talked about traditional European studios having high ceilings with big windows, American studios are like factories.

The lecture also introduced the artist, Daniel Buran to me and what he thinks a studio should be. Buran says the studio should be ‘1) a place where work originates. 2) A private place, an ivory tower. 3) A stationary place where portable objects are produced’. Another artist, Marcel Duchamp, has an idea of a studio being like a laboratory.

This lecture was interesting to have an insight into artists’ studios and to understand what a studio means.

John Akomfrah- Gallery Artist

Screen Shot 2017-05-27 at 10.18.59I visited the Artes Mundi 7 exhibition a few times in Cardiff Museum and found each of the artworks interesting. John Akomfrah’s work was really intriguing, as I watched the video he created about migration I felt on edge, like something was about to make me jump. Akomfrah explores migration from 8 mass migrations which has happened during the past 400 years. The piece of work is in the form of a video displayed on 2 big screens. The video was quite confusing at first as I didn’t know what it was trying to expose to the viewer. Once I understood the video was about migration, I felt like I understood refugees in a whole different way.

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I really like how Akomfrah captures social problems like migration in such a captivating way. I take great inspiration from this as I especially like to show problems that are present today in this world. This was a useful artist to find as I am trying to highlight the social problems of homelessness in a way that makes the viewer think about the homeless in a different, more sensitive way.

 

 

Maxwell Rushton

Maxwell Rushton was recommended to me by a friend. His piece, Left Out, inspired my second final piece and encouraged me to create a sculpture.

‘Left Out’ is an artwork that looks like someone is sitting in a black bin bag. It was created as part of a social experiment. The artist placed his sculpture across London, each time observing the public’s reactions. Rushton talks about the ‘public’s reactions of non reactions’ and said it was ‘unimaginable’ to watch. Some people would try to help the ‘person’ in the bin bag whilst others would walk past.

This piece of work shows that homeless people are normally just walked past, this is kind of like the message I want to get through to people when they view my work. By creating a man like sculpture out of cardboard, I hope people will pick up that the message is about homeless people being almost ‘invisible’ to passers-by and that we should take more attention of them and try to understand the reason of why they are homeless before prejudging them.

http://maxwellrushton.com/projects/left-out/ 

 

Inspiring Artist

The artist I have chosen that has inspired my work is Frida Kahlo. Frida Kahlo was a Mexican painter best known for her self portraits. She began painting after being involved in an accident. The artworks I am inspired by the most are ‘Broken Column’, 1944 and ‘The Two Fridas’, 1939.

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The Two Fridas, 1939
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The Broken Column, 1944

These paintings look inside Frida’s body. At the very beginning of the year, I was going to base the Outside Inside project on the body. Looking at how we look from the outside and what we look like inside. Frida Kahlo’s paintings shown above inspired me to think of this idea.

I then went on to looking at the brain and how we store our thoughts and feelings/ what we look like from the outside. I decided this project was not going in the direction I wanted. Now, I am looking at a completely different outcome for the final pieces for subject, however, still developing and researching mental thoughts/ illness in the homeless scene. Even though the project has changed, Frida Kahlo inspired me from the start.